Artist
Piero Dorazio
Piero Dorazio was born in Rome on June 29, 1927. He studied at the Liceo Classico high school. In 1942–43, through his schoolmate Angiolo Bandinelli, he began attending the studio of his father, the painter Aldo Bandinelli, and painting still lifes and landscapes while studying art history. After the end of World War II, he continued his studies at the School of Architecture, the University of Rome “La Sapienza,” which he would ultimately abandon.
In 1945 – together with Achille Perilli, Mino Guerrini, Lucio Manisco, Carlo Aymonino, Carlo Busiri Vici, Alfio Barbagallo, and Renzo Vespignani – he founded the Gruppo Ariete and later the Gruppo Arte Sociale. In 1947, with Giulio Turcato, Concetto Maugeri, Antonio Sanfilippo, and Carla Accardi, he founded the Forma 1 group, publishing the collective’s manifesto in the eponymous magazine. That same year he traveled to Paris for the first time where he met, thanks to Gino Severini, key international artists including Georges Braque, Fernand Léger, Hans Arp, and Alberto Magnelli. In 1948, he exhibited at the Quadriennale of Rome and at the Salon des réalités nouvelles in Paris. In Rome, together with Atanasio Soldati and Ettore Sottsass, he organized the exhibition Arte astratta in Italia.
In 1950, Dorazio, Perilli, and Guerrini opened the “L’Age d’Or,” a library-gallery on Via del Babuino in Rome, specializing in the distribution of avant-garde books and magazines and abstract art exhibitions, which immediately became a point of reference for Roman and international culture. In 1951, with Ettore Colla and Alberto Burri, he founded the Fondazione Origine which he later left in 1954. In 1953, he was invited to Harvard University to participate in an international seminar on humanism and the arts. He then moved to New York where he befriended several American artists. He presented his first exhibition in New York at George Wittenborn’s One-wall Gallery, and later, in April 1954, at Rose Fried Gallery. Back in Italy, in 1955 he published La fantasia dell’arte nella vita moderna, which he had worked on for three years. It is a compendium of modern trends in visual arts and was the first book of its kind in Italy. In 1957, he presented his first solo exhibition in Rome at the La Tartaruga Gallery. In 1956 and 1958, he participated in the Venice Biennale where, in 1960, he contributed with a large solo room. That same year he returned to the United States, to the University of Pennsylvania, Philadelphia, where he was hired to reorganize and direct the faculty of Fine Arts. He would teach here for the next ten years, one semester each year. In 1959, he participated in Documenta 2 in Kassel.
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