16.05.2026 - 25.07.2026
Stanze. Spagnulo, works on paper
16.05.2026 - 25.07.2026
Unlike many other sculptural approaches from the second half of the 20th century and the early 21st, the work of Giuseppe Spagnulo has consistently maintained a link to “a decidedly handmade approach, one that involves a great amount of energy and aesthetic tension pushed to the very limits of impetuosity and feeling”, as Bruno Corà noted in 2014.
The current exhibition at Galleria dello Scudo is dedicated to a selection of works on paper, including some of those previously shown in his solo exhibition during the winter of 2014–2015.
These works reveal the enduring expressive power of a visual language rooted in the very act of sculpting.
“Painted, or rather sculpted, with volcanic sand, iron oxide, and coal, lit up by cadmium red, and lacerated by Spagnulo’s vigorous gestures, all demonstrate how the artist’s formative action has now reached the ecstatic intensity of a Pan-like and shamanic liturgy” (Corà, 2014).
In the ’60s he came into contact with the experiences of informal ceramics in Albisola, and in Milan he became the assistant of Lucio Fontana and Arnaldo Pomodoro. The first works for urban spaces are “large irons” based on structures that. He exhibited in 1977 at the Newport Harbor Art Museum, he is interested in the theme of horizontal sculpture. In the early 1990s he was teacher of sculpture at the Stuttgart Academy of Fine Arts. In 2005, he exhibited at the Peggy Guggenheim Collection in the exhibition E se venisse un colpo di vento?.