Toti Scialoja: freedom of the gesture

Painting is the natural sediment of my life and my day. My thoughts’ solid depositing, the crumbs of a large mirror facing dawn and dusk.

Toti Scialoja

Toti Scialoja
Resistenza, 1957
tempera and vinavil on hemp canvas
55 x 80,7 inch

Burri, Afro, Scialoja with Alexander Calder, Perugia, 1955. Photo Gabriella Drudi.

From the left, Conrad Marca-Relli, Cy Towmbly and Scialoja, Procida, summer 1957.

Toti Scialoja
Il primo dell'anno, 1957
oil and tempera on hemp camnvas
72,5 x 70,5 inch

Trends in watercolors today. Italy - United States
The Brooklyn Museum, New York
9 April - 26 May 1957.


Senza titolo, 1956
tempera and vinavil on cardboard laid down on canvas
25,8 x 18,5 inch


Senza titolo, 1956
tempera and vinavil on cardboard laid down on canvas
23,4 x 17 inch


Toti Scialoja
Il Grido, 1957
vinavil and sand on hemp canvas
50,9 x 76,2 inch

Scialoja in his studio in via di Porta Pinciana, Rome, 1957. Behind him, the recently ended Il grido and, on the left, Interruzione from 1956. Photo Gabriella Drudi.

At the inauguration of the solo exhibition at Galleria Schneider, Rome, May 24, 1957. From the left, gallery owner Schneider, writer John Steinbeck and Scialoja. Photo Dial Press.