Vedova, De America, curated by Germano Celant, associate curator and scientific research Laura Lorenzoni, english edition of the volume designed and created by Galleria dello Scudo in collaboration with Fondazione Emilio and Annabianca Vedova.
Hardback
190 plates, 1373 ill.
688 pages
Skira, Milan, 2020
After joining the Fronte Nuovo delle Arti, Vedova is among the most important exponents of the abstract current of Italian painting, based on the use of gestural painting of great expressive power. Author in 1964 of the Absurdes Berliner Tagebuch, a series of Plurimi exhibited at Documenta Kassel, he links his name to some important pictorial cycles, including De America (1976-1977), Tondi and Oltre (1985-1986) which are flanked by large canvases from the 80s.