Giovanni Frangi, take-off

After the success enjoyed with Nobu at Elba, the wide-dimension installation exhibited in February 2004 in the Scuderie di Villa Menafoglio Litta Panza in Biumo Superiore, near Varese, Milanese artist Giovanni Frangi (born in 1959), one of the most successful of his generation, held an exhibition at Galleria dello Scudo, Verona, showing a series of paintings inspired by the urge to relate to nature in a completely new way, thus marking a further evolution in his research. The exhibition was held from December 11, 2004 to February 27, 2005, four years after Viaggio in Italia, the project that clearly revealed how the need to search in painting what lies beyond the real was already primary at that time.

Nobu at Elba, four canvases for a total of forty meters and a group of sculptures in burnt foam rubber, represented a fundamental turning point in Frangi’s journey, introducing unprecedented motifs into a constantly renewed thematic and stylistic repertoire. The plastic interventions with unusual materials – foam rubber precisely – to be placed in close relationship with the pictorial context, the adoption of color balances within a language strongly hinged on gestures, the continuous variation of light within a narrow time rhythm, from the highest intensity to total darkness, are just some of the elements that testify to the performance of a work that has undoubtedly led to more audacious and highly emotional results.

For the Veronese exhibition, the artist created twenty paintings on canvas of equal height (about two meters) and different width, as well as ten on paper, which are identical and where the horizon disappears and the sight from above of a sky-less world as well as planes are rendered through a material score that is nothing other than a musical scan. This mused and unexpected relationship with the landscape – plains, lakes, rivers, mountain ridges… the usual subjects, after all – once again called the visitor to an immersion in nature, with a radically different involvement. The same size contributes to strengthen the sense of uniqueness of the representation that the entire cycle of works aims to build.